It has seemed to me worth while to show from the history of civilization just what war has done and has not done for the welfare of mankind. In the eighteenth century it was assumed that the primitive state of mankind was one of Arcadian peace, joy, and contentment.
Updated on September 27, By Ken Begg 18 Comments Upon viewing this assembly of stills from the climax one of them, anyway of Jaws: The Revenge, my esteemed colleague Dr.
How could my humble efforts mock the film more effectively than the evidence provided above? Therefore, I present you, Gentle Reader, with this choice: Waste your time with my review Note: This article follows previous reviews for Jaws, Jaws 2 and Jaws 3-D. Elements Indicative of a Third Sequel: This is a lesson I have recently relearned.
These sojourns have taken me from the Olympian peaks of the initial film to the Stygian depths of, well, this one.
The gulf in quality between Jaws and Jaws: The Revenge may well be the widest between any two such films in the entire history of cinema. This is not meant to be a hyperbolic claim.
By my count, only the following films on that list have been by followed by sequels: The Godfather 3Star Wars 15Psycho 18 Among the cited pictures, and not counting TV movie follow-ups sorry, Psychoonly one film has a sequel within shouting distance of Jaws: That sorry cinematic progeny would be Rocky IV.
I can actually see a reasonable debate over which one of the respective offspring was worse. I myself would still go with Jaws: The Revenge as being the most unworthy follow-up. This is because I remain unconvinced that Rocky deserves to be called one of the Best American Films.
In contrast, I fully believe Jaws to be worthy of that designation. The Revenge—they stopped numbering the entries at this point, despite it being a direct sequel to the initial two films—remains most famous for two points: In defense of this film, which is not a phrase often associated with it, these elements were established earlier in the series.
As well, the Mother Shark in Jaws 3-D is definitely heard roaring at one juncture, or at the very least growling.
This concept was introduced in Jaws II. The Revenge earns its fame is in taking these vestigial elements and juicing them up to the point where they can no longer be ignored.
The roaring in Jaws is only symbolic, after all. In Jaws 3-D, meanwhile, said noisemaking was merely one further bit of comedy the movie provided.
Sure, Brucette issued forth a roar of sorts, muffled a bit by the water. And even if the Martin Brody of Jaws 2 broaches a theory about the shark world possessing a Sicilian-like tenacity where vendettas are concerned, the notion is introduced, turned over a bit, and then dropped in pretty short order.
It seemed that the writers felt they needed at least a fig leaf rationale to explain the appearance of a second killer shark, but ended up embarrassed by the one they provided. So what explains, then, the ire and derision aimed at the current object of our gaze?
The Revenge seems to have combed through the previous chapters, cherry-picked the most idiotic elements they offered, and embraced them passionately.
However, the vengeance idea we can examine a bit before we even begin looking at the movie. Frankly, if you watch a film with a title like that, you deserve what you get. Following in the footsteps finwake? The scene, veteran series viewers will quickly realize, takes place in the waters surrounding the island community of Amity.
It soon becomes apparent that the POV shot is searching for something.
Perhaps the beastie is wisely seeking a way out of the movie. Upon reflection, it seems unlikely that the massive creature revealed later could so easily insinuate itself in such tight quarters. When the beast swims under the water, we get placid music, followed by a more dynamic arrangement of the music kicking in as the POV shot rises to the surface and looks upon the town.
As I noted, this is not a bad way to open the film. The rising and falling POV shot is somewhat novel, the camera work is nicely fluid, and the music reminds us why we paid with our money, or just our time to see this movie. This fuzzy sense of comfort, however, is quickly shaken when an ominous sign appears.
Welcome to the kitchen of Ellen Brody.The expression he who laughs last, laughs best is a saying that means the final winner will have more glory than someone who was winning in the beginning but ultimately lost.
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