Aristotle said in order for a plot to be a tragedy it must always involve ome sort of undone or done deed. An error must also occur on behalf of the hero in order to be a tragedy. It is set in St.
He considered plot and character as the first two elements or the primary elements.
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In his Poetics, he expounded on the appropriate mix of these elements using examples from many tragic dramas, particularly those of Sophocles, among other playwrights Rizzoli, With Aristotle, tragedy acquired a definition with which all that belonged to this class could be so classified on the basis of what made them similar to each other.
What differentiates tragedy from other arts is that it imitates action and life, happiness and misery, fortune and misfortune. Smith, The soul of tragedy is its plot: And the plot must have a central theme that cements it together.
Why should Sophocles create a clash in two major virtues that the Greeks held in esteem?
Antigone and Creon — both— were inflexible hard heads, unmovable and unshakeable in their convictions. The first primary action was focused on Antigone who instigated the ire of Creon when she buried her unpatriotic brother.
Meanwhile, their characters unfold without necessarily delving deep into their psychological motivations. Their character did not necessarily define their actions.
I believe these are good contrasting examples: Ismene was not necessarily less pious, but she did not see the need to clash against the power of Creon.
For Aristotle, they have to be renowned so people can identify with them and thereby elicit pity or fear pity for undeserved fate, and fear for a likelihood of the same misfortune for ourselves. Aristotle provides us with a formula that at the very least provided a common language with which to appreciate tragedy.
Rhys Robers, and Ingram Bywater.
The Rhetoric and Poetics of Aristotle. The Modern Library, l Classics of Western Philosophy by. Retrieved March 28, from: A Study of Sophoclean Drama. The Life and Works of Sophocles. Representation ad Ideology in Jacobean Drama: The Politics of the Coup de Theatre.
The Edwin Mellen Press, Retrieved March 27, from: An Anthology of Literary Criticism. Norton and Company, Universals of Narrative and their Cognitive Fortunes. II Poetics Today 24 Tennessee Williams' The Glass Menagerie as a Tragedy The Glass Menagerie has, of course, been labelled as many different types of play, for one, a tragedy.
At first glance it is clear that audiences today may, indeed, class it as such. Aristotle's Poetics by Aristotle and S. H. Butcher and Francis Fergusson Overview - Introduced by Francis Fergusson, the Poetics, written in the fourth century B.C., is still an essential study of the art of drama, indeed the most fundamental one we have.
Nov 04, · #AmericanLiterature #englishforall connect with me on instagram username - Jafri88 Disclaimer - All the images used in this video are royalty free and non- . Nov 13, · Here's a 20 point summary of the first established literary critic's masterpiece "The Poetics" by Aristotle.
People like to imitate and learn. The Glass Menagerie Quiz, Scrapbook Project Due!
The Glass Menagerie Scrapbook Character Project; Characterization; Glass Menagerie & The Scrapbook;. Aristotle defines the tragic hero as a good man who falls from good fortune to bad fortune on account of a fatal flaw.
In Medea, the character who most neatly fits Aristotle’s description is Jason. Jason’s fatal flaw is lust, both sexual lust and a lust for power. Description: No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie.
Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright.